The Bridgehampton Historical Society asked me to pass word along to collectors who may own Nathaniel Rogers portrait miniatures–they’re looking for Rogers’ miniatures for an exhibition at the Nathaniel Rogers House in 2012.

John Eilertsen
P.O. Box 977, Bridgehampton
NY 11932
Phone: 631-537-1088
Email: bhhs@optonline.net

I came across an interesting illustrated article today from JSTOR online, about the 18th century minaturist David Boudon. The article is: “A Most Perfect Resemblance at Moderate Prices: The Miniatures of David Boudon,”  by Nancy E. Richards, The Winterthur Portfolio, Vol. 9, pp 77-101, Henry Francis du Pont Winterthur Museum, 1974.  An excerpt from the article (which can be downloaded as a PDF for a fee) reads:

“Overshadowed by such well-known miniature portraitists as Elouis, Saint-Memin, Edward Malbone, and the Peales, David Boudon’s contribution to American miniature painting deserves reappraisal. His career serves as a good barometer of artistic practice in the 1790s and 1800s. His periodic migrations from place to place in search of commissions provide insight into the difficulties encountered by many of his contemporaries. Working in a little-used technique, Boudon was able to capture an accurate likeness without using a physiognotrace or pantograph. An excellent draftsman, his portraits are uncompromising; he does not try to glamorize or idealize his sitters. Working in a highly competitive field, Boudon’s patrons were members of the gentry–a segment of society frequently overlooked by artists in search of more prestigious clients. Boudon is not a major figure in the history of American miniature painting, but by providing an accurate record of middle and upper middle-class Americans at a reasonable price, Boudon anticipated the need for true likenesses that photography would satisfy later in the nineteenth century.”

A New York collector went to visit the Nathaniel Roger’s house last weekend,  and emailed me a photo of the dignified Greek Revival dwelling.   It is in Long Island,  at the southeast corner of Montauk Highway and Ocean Road. Further information on the Nathaniel Roger’s House Preservation Project may be found at: http://www.bridgehamptonhistoricalsociety.org/rogers.html.  For those collectors not familiar with Roger’s work, he was one of the foremost 19th century American miniaturists.  Further information on him may be found on my website, where I have one miniature listed by him: http://www.archibaldminiatures.com/collection/american.php .

Contemporary artist Elizabeth Berdann, based in New York City, has a solo show entitled “Marvels, Curiosities & Conundrums” at the Contemporary Museum in Honolulu. It will include a survey of her work from the last 20 years, and also some new work, such as her current installation, “String of Pearls,” which was inspired by the Thomas Seir Cummings necklace of miniatures in the Metropolitan Museum of Art.  The show opened on February 11, 2010, and will run through mid-May. For further information on the artist, please see her website, www.elizabethberdann.com, and for further information on the show, please see the Contemporary Museum’s website: http://www.tcmhi.org/cal.htm .

The collector in the previous post who is a direct descendant of the British artist Thomas Heaphy has shared images of a signed portrait miniature by Heaphy’s wife Mary Stevenson. Mary Stevenson’s work is extremely rare, and a signed miniature by her will help with future attributions. It’s interesting to note how similar Stevenson’s style was to her husband’s.

A fascinating history blog named Georgian London provides an intimate view of daily life 18th century London.

“History News Network” says: “From London’s 18th century rookeries, to being a dwarf in 18th century England, to Jeremy Bentham and the birth of a surveillance society, to what it was like to have gout, to bizarre birth stories from Gentleman’s Magazine, Georgian London informs, instructs, and entertains us on ordinary life in 18th century London, emphasizing especially the artisan and immigrant populations of the city. This is fascinating socal history presented in blog formk and is a terrific younger entrant into the burgeoning history blog scene.”

The blog has been voted “History Website of 2009″ by the online readers of History Today magazine, and contains links to other online history blogs, such as Victorian London.  Georgian London may be found at http://www.georgianlondon.com/ .

Portrait miniature enthusiasts are used to hearing about Charles Willson Peale as one of the early premier miniaturists in the United States, whose miniatures can fetch hundreds of thousands of dollars at auction.  Another facet of the man is revealed in this children’s book, called The Mystery of The Mammoth Bones, by James Gilbin, based on true-life events in Peale’s life. A review from “Publisher’s Weekly” summarizes the story:

“With the pacing of an ace detective, Giblin unveils the painstaking steps in artist and naturalist Charles Willson Peale’s 1801 discovery of mammoth bones. Through a third-person narration of Peale’s experience, Giblin establishes these fossils’ revolutionary importance to science, technology and social history, beginning with Peale’s exploratory digs, his assemblage of the first skeleton and its subsequent exhibition and controversy. Structuring the text in this way allows Giblin to deftly paint a turn-of-the-19th-century world and to demonstrate how this finding shook prevailing scientific and religious beliefs and contributed to current theories of evolution and extinction. Readers will devour the details that contrast Peale’s time to today, such as the harrowing journey from Philadelphia to upstate New York (it took a day and a half just to get from Philadelphia to New York City, before sailing up the Hudson River in the days before steam power), a trip that today takes three hours, and President Thomas Jefferson’s personal interest in and professional support of the excavation. Unfortunately, some details lack context, such as the original $200 pricetag of the bones without mention of what that sum could buy. After wrapping up this gripping mystery and its legacy, profusely illustrated with photographs of the mammoths and Peale’s own sketches, Giblin concludes with a brief biography of the Renaissance man Peale and a summary of theories on mammoths and mastodons. Fans of all things dinosaur will find much to explore here, and readers may well be infected with Peale’s pioneering spirit. Ages 8-12.”

Don Shelton, a miniatures collector who maintains the blog “Artists and Ancestors” (www.portrait-miniature.blogspot.com), is featured in an article in today’s Sunday Observer in London.  The article, entitled “Founders of British Obstetrics Were ‘Callous Murderers,’” recounts some of the subversive information Shelton uncovered when researching the sitter Anthony Carlisle in a miniature he owns, painted by Henry Bone.  The link to the article is below.

http://www.guardian.co.uk/uk/2010/feb/07/british-obstetrics-founders-murders-claim

As an addendum, the article has provoked a flurry of interest:  New Zealand national radio interviewed him this morning, BBC UK and BBC Scotland are interviewing him live tonight, and a UK producer wants to talk to him about a TV documentary.

The collectors who publish the “A Private Portrait Miniature Collection” blog http://portraitminiature.blogspot.com/   have decided to form a portrait miniature club.

“It is hoped that people will exchange information and opinions through the Portrait Miniature Club that we are in the process of forming, which will be free to any interested party. Anyone wishing to receive further updates on  the formation of the club please register your interest by email to: portraitminiatureclub@googlemail.com . Please note your email address will not be given to any third party.The club is a non-profit organisation and any advice or information given by the club is free of charge and is without any liability or guarantee.

We shall be publishing the book of our collection early next year, which will include even better photographs, showing all the brushstrokes and signatures etc. as well as some new information about certain artists.”

One of the most rewarding aspects of being a specialist dealer  in portrait miniatures is placing pieces with descendants of the artists or sitters. Recently I had the pleasure of selling a signed miniature of an actress by the rare British artist Thomas Heaphy to a direct descendant of Heaphy.  Heaphy’s works come onto the market very, very infrequently. One other signed portrait miniature by him, very similar to the one I sold, can be seen on the blog http://portraitminiature.blogspot.com , which showcases an outstanding private collection. The link to the page is: http://bit.ly/5aAMp5  (#1801).

The new owner of my Heaphy miniature commented: “Unfortunately I haven’t any pictures of Thomas Heaphy himself , but this picture entitled “The Poultry Seller,” which exhibited at the Old Watercolour Society, 1810, no. 235,  bears an uncanny resemblance to at least three members of my father’s family, and I wonder if it might be Thomas himself, or his father.

I have in my possession a miniature by Thomas Heaphy’s wife Mary Stevenson. It is inscribed as “a portrait of a gentleman by Miss Stevenson /83 Charlotte Street/Rathbone Place” and underlined, Mr Brown. To my untrained eye I would suggest that Mary Stevenson was a more accomplished artist than Thomas himself. It has been suggested to me by a knowledgeable art historian that her work may have been on occasion have been put up for sale as Thomas’s work. This begs the question as to how Mary managed to accumulate the vast sum of £1250 on her death, as very few,  if any, women artists were recognised at this time.”

The Poultry Seller

An Actress, Signed by Thomas Heaphy, Circa 1800

The artist’s biography is as follows:

Thomas Heaphy (1775-1835), born in London, was articled to an engraver, and then became a pupil of John Boyne, who ran a drawing school and was a friend of artist James Holmes. Heaphy exhibited at the Royal Academy, the British Institute, the Society of British Artists, the Old Water Colour Society and the New Water Colour Society. He executed oil portraits, watercolor portraits, miniatures, genre subjects, and colored prints. In 1803 he became the portrait painter to the Prince of Wales. In 1812 he went to the Penisula and followed the army, painting portraits of British officers, including a portrait of the Duke of Wellington with his General Staff, which was much admired. He became the first president of the Society of British Artists in 1824.

A copy of his will dated February 2, 1835, naming him as an artist in water colours, at 8 St. John’s Wood Road, St. Marylebone, included reference to 1250 pounds from his first wife, Mary (nee Stevenson, also an artist), which was to be left to his second wife, Harriet Jane, and included letters of administration to Harriet Jane Heaphy, widow. All four of his children: Charles Heaphy, Mary Ann Heaphy, Thomas Frank Heaphy and Elizabeth Murray (nee Heaphy) went on to become artists. Mary Ann specialized in miniatures. She married a portrait painter named W. Musgrave in 1832, and exhibited after that date as Mrs. Musgrave.

A miniature of a man signed “T. Heaphy, 1815,” and a miniature of a lady signed “T.H. 1803″ on the front and in full on the reverse, are in the Victoria Albert Museum. Examples of his work are also in the National Portrait Gallery and the Tate Collection, London. A monography on Heaphy by W.T. Whitley was published in 1933 by the Royal Society of British Artist’s Art Club.