Lady in Red Shawl, Signed by Samuel John Stump, Circa 1820

A very handsome British portrait miniature of a woman with brown hair and hazel eyes, wearing a white dress, a red shawl, and a lorgnette tucked into her waistband, against an olive-brown background. The miniature is signed at the lower right: Stump, and is set in the original gold pendant frame, the reverse with verre eglomise encircling the initials T.E., against a pale silk background.

Samuel John Stump ((1778-1863) was allegedly born in America, and studied at the Royal Academy Schools in 1796. He worked in London and Brighton, and exhibited at the Royal Academy, Associated Artists, the British Institute, and the Old Watercolour Society from 1802 to 1849. He painted miniatures, oil portraits, watercolor portraits, landscapes, and executed engravings. Many of his sitters were in the theatrical profession. Examples of his work are in the Victoria & Albert Museum, the Ashmolean Museum, and the Guildhall Art Gallery, which contains his self-portrait.

Dimensions: 3 x 2 ½ inches.

Lady in Pink Shawl, Signed by Elsie Motz Lowdon, Circa 1900

An American portrait miniature of a woman with upswept brown hair and brown eyes, wearing a white dress trimmed with satin ribbon and pink flowers, and a pink shawl, and holding a pink rose, against a blue background. The painting is signed at the lower right: EM Lowdon, and set in the original gold pendant frame, the reverse with an engraved monogram and a glazed aperture holding a braided lock of brown hair. The miniature is held in a brown leather traveling case.

Elsie Motz Lowdon (1883-1960) was born and raised in Waco, Texas. She moved to New York City and studied with Lucia Fairchild Fuller and Elsie Pattee, and exhibited widely in New York, Texas, and Washington D.C. She painted members of the Blaffer and Hobby families in Texas, and had paintings included in the Texas Centennial Exhibition of 1936. Her miniatures may be seen in the Metropolitan Museum of Art and the Smithsonian American Art Museum.

Dimensions: Traveling case: 7 ½ x 5 inches. Image: 5 x 3 ¾ inches.

Young Lady in Blue, by Frederick Buck, Circa 1785

An Irish portrait miniature of a young woman with light brown hair and blue eyes, wearing a blue dress with white fichu, against a sky background. The portrait is set in the original gold frame, the reverse with brightwork surrounding a glazed aperture holding the gold monogram TLS set on plaited hair, and a brooch pin. The case, according to a previous owner, was made by Buck's father, who was a gold and silversmith.

Frederick Buck (1771-c.1840) was born in Cork, Ireland to the silversmith Johnathan Buck. Both Frederick and his brother Adam became popular miniaturists in their day. Frederick attended the Dublin Society Schools, and then established a large practice in Cork. He was particularly busy during the Peninsular War, when Cork was a port of embarkation, and he was in demand to paint portraits of officers passing through. Examples of Buck's work may be seen in the Victoria and Albert Museum.

Dimensions: 2 x 1 ½ inches.

Lady with Green Eyes, by Edward Miles, Circa 1790

An attractive British portrait miniature of a woman with powdered hair and green eyes, wearing a white dress, a pearl necklace, and a white bandeau in her hair, against a sky background. The painting is set in the original gilt case, the reverse with a lock of brown hair.

Edward Miles (1752-1828) was born in Yarmouth, and became an errand boy to a surgeon who encouraged him in drawing. He entered the Royal Academy Schools in 1772 and exhibited at the Royal Academy from 1775 to 1797. He painted portraits and taught drawing, working in Norwich (1779 and 1782), Russia (1797 to approximately 1806), and Philadelphia (1807 to 1828). In 1792 he was appointed miniature painter to the Duchess of York, and later to Queen Charlotte. While in St. Petersburg he became court painter to Tsar Paul I. Miles was friendly with Sir Thomas Lawrence, and the American miniaturist James Reid Lambdin was his pupil. He settled in Philadelphia where he became a founding member of the Academy, and later died there. His work may be found at Windsor Castle and the Victoria and Albert Museum in England, an oil portrait of him by Sir William Beechey is held at the Metropolitan Museum of Art, and 15 miniatures by him, including a self-portrait, are held at the Philadelphia Museum of Art.

Dimensions: 3 x 2 ½ inches.

Woman in Pearls, Signed by Charles James Turrell, Dated 1902

A beautiful portrait miniature of a woman with blue eyes and brown hair, wearing a white dress, a star brooch, a pearl necklace and pearl earrings, against a sky background. The painting is signed at the right: C.T./ 1902, and is set in a gold locket case with blue and green enamel on the front, and glazed blue silk on the reverse.

Charles James Turrell (1845-1932) exhibited at the Royal Academy and the Society of Miniaturists from 1873 to 1932, and also at the Paris Salon. Among his sitters were Queen Victoria, King Edward, Queen Alexandra and Queen Maude of Norway. Turrell often wintered in the United States, where he exhibited at the Brooklyn Art Association and the Pennsylvania Academy of Fine Arts. His sitters in the USA included the Whitney, McCormick, Vanderbilt, Ryerson and Morgan families. Turrell married an American woman, and the wedding announcement for his daughter Sybil, who married the American Dean Kirby, appeared in the New York Times on June 15, 1910. Further information on Turrell may be found in Miniatures, by Dudley Heath, pages 215 to 217. Works by him are held at the Metropolitan Museum of Art, the Cincinnati Art Museum, the Worcester Art Museum, and others. He died in White Plains, New York.

Dimensions: Image: 4 x 3 ¼ inches.

Provenance: Christies, September 28, 1999, Lot 35.

Young Lady Holding a Book, Signed by Pierre-Edouard Dagoty, Dated 1837

A charming French portrait miniature of a young woman seated in a wood chair, holding a book, wearing a white dress with a blue belt, and gold earrings, her brown hair in a braided chignon, against a gray background. The painting is signed and dated at the lower left: Dagoty 1837, and is set in the original wood veneered frame, the reverse with marbled paper.

Pierre-Edouard Dagoty (Gautier-Dagoty), (1775-1871), a talented artist, came from a family of artists: his father was Edward Gautier-Dagoty, his grandfather Jacques Gautier-Dagoty, and his daughter Julia Gautier-Dagoty. Called Isabey of Bordeaux, Pierre-Edouard Dagoty was the premier miniaturist of the area, where he practiced for over fifty years. Many of his miniatures are of average size and round shape, but the more scarce ones are larger, as this one is. Examples of his works may be seen at the Louvre, and the Musee des Arts Decoratifs.

Dimensions: Image: 4 x 3 ¼ inches. Frame: 7 x 6 inches.